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  <body-html>&lt;p&gt;In five short essays, Nicholas Lowie  and Sheridan Lowrey begin to articulate  a here-to-fore undiscovered theme  underlying Marcel Duchamp&amp;#8217;s entire oeuvre.  They assert that Duchamp&amp;#8217;s works problematize the  biblical narrative of the Fall: Adam and Eve &lt;br /&gt;(the Bride and the Bachelors) are the &amp;#8220;one flesh&amp;#8221; of the apple (tree)&amp;#8212;constituent of physical,  chemical, biological, and geometric processes&amp;#8212;relative to a &amp;#8220;science of morality&amp;#8221; (a tenet of &lt;br /&gt;Speculative Freemasonry).&lt;/p&gt;


	&lt;p&gt;The revelatory aspect of Lowie/Lowrey&amp;#8217;s Duchamp scholarship is complicated by their further assertion that the L.A.-based &lt;br /&gt;Museum of Jurassic Technology (MJT) is the means by which they have &amp;#8220;found&amp;#8221; Duchamp. Lowie/Lowrey&amp;#8217;s texts suggest that the &lt;span class=&quot;caps&quot;&gt;MJT &lt;/span&gt;&lt;br /&gt;plays the role of precedent for a body of works that were conceived well before it. Lowie/Lowrey (and/or the &lt;span class=&quot;caps&quot;&gt;MJT&lt;/span&gt;?) have, in effect, created a hybrid/ a duck-rabbit/a Lincoln-Wilson that belies usual historical lineage.&lt;/p&gt;


	&lt;p&gt;32 pages, Softcover, 9&amp;#215;6 inches, 2005&lt;/p&gt;</body-html>
  <created-at type="datetime">2007-08-03T13:55:19-07:00</created-at>
  <handle>1295</handle>
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  <published-at type="datetime">2007-08-03T13:55:19-07:00</published-at>
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  <title>Nicholas Lowie and Sheridan Lowrey, [A] Rrose is an apple . . .  [Pinspot #14]</title>
  <updated-at type="datetime">2007-08-14T17:54:57-07:00</updated-at>
  <vendor>Smart Art Press</vendor>
  <tags nil="true"></tags>
  <body>In five short essays, Nicholas Lowie  and Sheridan Lowrey begin to articulate  a here-to-fore undiscovered theme  underlying Marcel Duchamp's entire oeuvre.  They assert that Duchamp's works problematize the  biblical narrative of the Fall: Adam and Eve 
(the Bride and the Bachelors) are the &quot;one flesh&quot; of the apple (tree)--constituent of physical,  chemical, biological, and geometric processes-- relative to a &quot;science of morality&quot; (a tenet of 
Speculative Freemasonry). 

The revelatory aspect of Lowie/Lowrey's Duchamp scholarship is complicated by their further assertion that the L.A.-based 
Museum of Jurassic Technology (MJT) is the means by which they have &quot;found&quot; Duchamp. Lowie/Lowrey's texts suggest that the MJT 
plays the role of precedent for a body of works that were conceived well before it. Lowie/Lowrey (and/or the MJT?) have, in effect, created a hybrid/ a duck-rabbit/a Lincoln-Wilson that belies usual historical lineage. 

32 pages, Softcover, 9 x 6 inches, 2005
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